Publications up to 2020
Showing entries 181 - 200 out of 282
Gartus, A., & Leder, H. (2013). The small step toward asymmetry: Aesthetic judgment of broken symmetries. i-Perception, 4(5), 361-364. https://doi.org/10.1068/i0588sas
Büttner, O., Paul, M. A., Florack, A., Leder, H., & Schulz, A. M. (2012). Compulsive buyers show an attentional bias in shopping situations. Advances in Consumer Research, 40, 1121. https://www.acrwebsite.org/volumes/1012225/volumes/v40/NA-40
Leder, H., Bär, S., & Topolinski, S. (2012). Covert Painting Simulations Influence Aesthetic Appreciation of Artworks. Psychological Science, 23(12), 1479-1481. https://doi.org/10.1177/0956797612452866
Gartus, A., & Leder, H. (2012). Evaluation of Graffiti/Art in different Contexts. Perception, 41(ECVP Abstract Supplement), 236.
Leder, H., Gerger, G., Dressler, S. G., & Schabmann, A. (2012). How art is appreciated. Psychology of Aesthetics, Creativity, and the Arts, 6(1), 2-10. https://doi.org/10.1037/a0026396
Peschl, F.-M., Jakesch, M., Rosenberg, R., & Leder, H. (2012). Kunst im Kopf. univie - Alumni Magazin der Universität Wien, (03/2012). http://issuu.com/univie/docs/107215_univie_3-12_screen_ohne-datum?mode=window&viewMode=doublePage
Marin, M., & Leder, H. (2012). Relating subjective to objective measures of complexity in affective environmental scenes and representative paintings. Perception, 41(Supplement), 61-61.
Leder, H., & Graham, D. (2012). Statistics, vision, and the analysis of artistic style. Computational Statistics, 4(2), 115-123.
Forster, M., Leder, H., & Ansorge, U. (2012). Subjective feeling of fluency and affective response. Perception, 41(S), 104-104.
Leder, H., Gerger, G., & Brieber, D. (2012). This is disgusting! Can art experts really appreciate non-beautiful modern art? In 22nd Biennal congress of the International Association of Empirical Aesthetics (pp. 458-459). National Taiwan Normal University-Taipei.
Rosenberg, R., & Leder, H. (2012). Zwischen Kunst und Alltag. uni:view. http://medienportal.univie.ac.at/uniview/forschung/detailansicht/artikel/zwischen-kunst-und-alltag/
Leder, H. (2011). Bilder als Kunst. Psychologische Ansätze. In K. Sachs-Hombach, & R. Totzke (Eds.), Bilder- Sehen - Denken. Zum Verhältnis von begrifflich-philosophischen und empirisch-psychologischen Ansätzen in der bildwissenschaftlichen Forschung (pp. 181-191). Unknown publisher.
Leder, H., Peschl, F.-M., & Baumkirchner, P. (2011). "Cognitive Science": Wie Gedanken in den Kopf kommen. Die Presse. http://cognitivescience.univie.ac.at/uploads/media/Wie_Gedanken_in_den_Kopf_kommen___DiePresse.pdf
Leder, H., & Peschl, F.-M. (2011). Cognitive Science: Wie wir wissen, was wir wissen. Web publication http://www.marions.at/wordpress/2011/10/the-artist-as-neuroscientist/
Leder, H., Tinio, P. P. L., & Bar, M. (2011). Emotional Valence Modulates the Preference for Curved Objects. Perception.
Leder, H., Peschl, F.-M., & Burger, S. (2011). Gedacht wird nicht allein. Wiener Zeitung. http://www.wienerzeitung.at/themen_channel/wissen/forschung/23535_Gedacht-wird-nicht-allein.html?em_redirect_url=%2Fthemen_channel%2Fwzwissen%2Fforschung%2F23535_Gedacht-wird-nicht-allein.html
Tinio, P., Leder, H., & Strasser, M. (2011). Image Quality and the Aesthetic Judgment of Photographs: Contrast, Sharpness, and Grain Teased Apart and Put Together. Psychology of Aesthetics, Creativity, and the Arts, 5(2), 165-176.
Miesler, L., Leder, H., & Herrmann, A. (2011). Isn't It Cute: An Evolutionary Perspective of Baby-Schema Effects in Visual Product Designs. International Journal of Design, 5(3), 17-30. http://www.ijdesign.org/ojs/index.php/IJDesign/article/viewFile/1023/359
Fuchs-Leitner, I., Leder, H., & Ansorge, U. (2011). Local rule violations attract attention and eye fixations. Journal of Eye Movement Research, 4, 145-145.
Gartus, A., & Leder, H. (2011). Predicting the Visual Complexity of line Drawings and Photos of common Objects. Perception, 40(ECVP Abstract Supplement), 206.
Showing entries 181 - 200 out of 282