Publications up to 2020
Showing entries 41 - 60 out of 269
Specker, E., & Leder, H. (2022). Testing the facsimile accommodation hypothesis. Acta Psychologica, 222, Article 103482. https://doi.org/10.1016/j.actpsy.2021.103482
Pelowski, M., & Leder, H. (2022). But, What Actually Happens When We Engage with “Art”? In A. Chatterjee, & E. Cardilo (Eds.), Brain, beauty, and art: essays bringing neuroaesthetics into focus (pp. 13–C3.P17). Oxford University Press. https://doi.org/10.1093/oso/9780197513620.003.0003
Skov, M., Vartanian, O., Navarrete, G., Modrono, C., Chatterjee, A., Leder, H., Gonzalez-Mora, J. L. G., & Nadal, M. (2022). Differences in regional gray matter volume predict the extent to which openness influences judgments of beauty and pleasantness of interior architectural spaces. Annals of the New York Academy of Sciences, 1507, 133-145. https://doi.org/10.1111/nyas.14684
Specker, E., Fried, E. I., Rosenberg, R., & Leder, H. (2021). Associating with Art: A Network Model of Aesthetic Effects. Collabra: Psychology, 7(1), Article 24085. https://doi.org/10.1525/collabra.24085
Leder, H., & Pelowski, M. (2021). Empirical Aesthetics: Context, Extra Information, and Framing. In M. Nadal (Ed.), The Oxford Handbook of Empirical Aesthetics (pp. 921-942). OXFORD UNIV PRESS. https://doi.org/10.1093/oxfordhb/9780198824350.013.43
Specker, E., Fekete, A., Trupp, M. D., & Leder, H. (2021). Is a "Real" Artwork Better than a Reproduction? A Meta-Analysis of the Genuineness Effect. Psychology of Aesthetics, Creativity, and the Arts. https://doi.org/10.1037/aca0000399
Pelowski, M., Hur, Y.-J., Cotter, K., Ishizu, T., Christensen, A., Leder, H., & McManus, C. (2021). Quantifying the if, the when, and the what of the Sublime: A survey and latent class analysis of incidence, emotions, and distinct varieties of personal sublime experiences. Psychology of Aesthetics, Creativity, and the Arts, 15(2), 216-240. https://doi.org/10.1037/aca0000273
Mitrovic, A., Hegelmaier, L. M., Leder, H., & Pelowski, M. (2020). Does beauty capture the eye, even if it's not (overtly) adaptive? A comparative eye-tracking study of spontaneous attention and visual preference with VAST abstract art. Acta Psychologica, 209, Article 103133. https://doi.org/10.1016/j.actpsy.2020.103133
Pelowski, M., Specker, E., Gerger, G., Leder, H., & Weingarden, L. S. (2020). Do You Feel Like I Do? A Study of Spontaneous and Deliberate Emotion Sharing and Understanding Between Artists and Perceivers of Installation Art. Psychology of Aesthetics, Creativity, and the Arts, 14(3), 276–293. https://doi.org/10.1037/aca0000201
Kaisler, R. E., Marin, M., & Leder, H. (2020). Effects of Emotional Expressions, Gaze, and Head Orientation on Person Perception in Social Situations. Sage Open, 10(3). https://doi.org/10.1177/2158244020940705
Specker, E., Forster, M., Brinkmann, H., Boddy, J., Immelmann, B., Goller, J., Pelowski, M., Rosenberg, R., & Leder, H. (2020). Warm, lively, rough? Assessing agreement on aesthetic effects of artworks. PLoS ONE, 15(5), Article e0232083. https://doi.org/10.1371/journal.pone.0232083
Gartus, A., Völker, M., & Leder, H. (2020). What Experts Appreciate in Patterns: Art Expertise Modulates Preference for Asymmetric and Face-Like Patterns. Symmetry, 12(5), Article 707. https://doi.org/10.3390/sym12050707
Immelmann, B., Boddy, J., Rosenberg, R., Leder, H., & Brinkmann, H. (2020). Kandinsky's Bauhaus Questionnaire: Color-Form Correspondences between Introspection and Experiment. Zeitschrift für Ästhetik und allgemeine Kunstwissenschaft, 64(2), 261–287.
Clay, V., Schrumpf, J., Tessenow, Y., Leder, H., Ansorge, U., & König, P. (2020). A quantitative analysis of the taxonomy of artistic styles. Journal of Eye Movement Research, 13(2), Article 5. https://doi.org/10.16910/jemr.13.2.5
Hur, Y.-J., Gerger, G., Leder, H., & McManus, C. (2020). Facing the Sublime: Physiological Correlates of the Relationship Between Fear and the Sublime. Psychology of Aesthetics, Creativity, and the Arts, 14(3), 253–263. https://doi.org/10.1037/aca0000204
Brieber, D., Forster, M., & Leder, H. (2020). On the Mutual Relation Between Art Experience and Viewing Time. Psychology of Aesthetics, Creativity, and the Arts, 14(2), 197–208. https://doi.org/10.1037/aca0000210
Reitstätter, L., Brinkmann, H., Santini, T., Specker, E., Dare, Z., Bakondi, F., Miscena, A., Kasneci, E., Leder, H., & Rosenberg, R. (2020). The display makes a difference: A mobile eye tracking study on the perception of art before and after a museum’s rearrangement. Journal of Eye Movement Research, 13(2), Article 6. https://doi.org/10.16910/jemr.13.2.6
Specker, E., Forster, M., Brinkmann, H., Boddy, J., Pelowski, M., Rosenberg, R., & Leder, H. (2020). The Vienna Art Interest and Art Knowledge Questionnaire (VAIAK): A Unified and Validated Measure of Art Interest and Art Knowledge. Psychology of Aesthetics, Creativity, and the Arts, 14(2), 172-185. https://doi.org/10.1037/aca0000205
Pelowski, M., Markey, P., Goller, J., Förster, E., & Leder, H. (2019). But, How Can We Make “Art?”: Artistic Production Versus Realistic Copying and Perceptual Advantages of Artists. Psychology of Aesthetics, Creativity, and the Arts, 13(4), 462–481. https://doi.org/10.1037/aca0000178
Lauring, J. O., Pelowski, M., Specker, E., Ishizu, T., Haugbol, S., Hollunder, B., Leder, H., Stender, J., & Kupers, R. (2019). Parkinson’s disease and changes in the appreciation of art: A comparison of aesthetic and formal evaluations of paintings between PD patients and healthy controls. Brain and Cognition, 136, Article 103597. https://doi.org/10.1016/j.bandc.2019.103597
Showing entries 41 - 60 out of 269