Publications up to 2020
Showing entries 161 - 180 out of 269
Brieber, D., & Leder, H. (2013). Dem ästhetischen Urteil auf der Spur: Ein psychologisches Erklärungsmodell des Kunsterlebens. KM Magazin.
Marin, M., & Leder, H. (2013). Examining Complexity across Domains: Relating Subjective and Objective Measures of Affective Environmental Scenes, Paintings and Music. PLoS ONE, 8 (8), Article e72412. https://doi.org/10.1371/journal.pone.0072412
Gartus, A., & Leder, H. (2013). Aesthetic evaluation of abstract symmetric patterns with broken symmetries. Perception, 42(ECVP Abstract Supplement), 104.
Brieber, D., Nadal-Roberts, M., & Leder, H. (2013). Effect of context on art experience and viewing behavior. Perception.
Jakesch, M., Leder, H., & Forster, M. (2013). Image Ambiguity and Fluency. PLoS ONE, 8(9), Article e74084. https://doi.org/10.1371/journal.pone.0074084
Carbon, C.-C., Färber, S., Gerger, G., Forster, M., & Leder, H. (2013). Innovation is Appreciated When We Feel Safe: On the Situational Dependence of the Appreciation of Innovation. International Journal of Design, 7(2).
Ansorge, U., Kirchler, E., Lamm, C., & Leder, H. (Eds.) (2013). TeaP 2013 - Abstracts of the 55th Meeting of Experimental Psychologists. Pabst Science Publishers.
Gartus, A., & Leder, H. (2013). The small step toward asymmetry: Aesthetic judgment of broken symmetries. i-Perception, 4(5), 361-364. https://doi.org/10.1068/i0588sas
Büttner, O., Paul, M. A., Florack, A., Leder, H., & Schulz, A. M. (2012). Compulsive buyers show an attentional bias in shopping situations. Advances in Consumer Research, 40, 1121. https://www.acrwebsite.org/volumes/1012225/volumes/v40/NA-40
Leder, H., Bär, S., & Topolinski, S. (2012). Covert Painting Simulations Influence Aesthetic Appreciation of Artworks. Psychological Science, 23(12), 1479-1481. https://doi.org/10.1177/0956797612452866
Gartus, A., & Leder, H. (2012). Evaluation of Graffiti/Art in different Contexts. Perception, 41(ECVP Abstract Supplement), 236.
Leder, H., Gerger, G., Dressler, S. G., & Schabmann, A. (2012). How art is appreciated. Psychology of Aesthetics, Creativity, and the Arts, 6(1), 2-10. https://doi.org/10.1037/a0026396
Peschl, F.-M., Jakesch, M., Rosenberg, R., & Leder, H. (2012). Kunst im Kopf. univie - Alumni Magazin der Universität Wien, (03/2012). http://issuu.com/univie/docs/107215_univie_3-12_screen_ohne-datum?mode=window&viewMode=doublePage
Marin, M., & Leder, H. (2012). Relating subjective to objective measures of complexity in affective environmental scenes and representative paintings. Perception, 41(Supplement), 61-61.
Leder, H., & Graham, D. (2012). Statistics, vision, and the analysis of artistic style. Computational Statistics, 4(2), 115-123.
Forster, M., Leder, H., & Ansorge, U. (2012). Subjective feeling of fluency and affective response. Perception, 41(S), 104-104.
Leder, H., Gerger, G., & Brieber, D. (2012). This is disgusting! Can art experts really appreciate non-beautiful modern art? In 22nd Biennal congress of the International Association of Empirical Aesthetics (pp. 458-459). National Taiwan Normal University-Taipei.
Rosenberg, R., & Leder, H. (2012). Zwischen Kunst und Alltag. uni:view. http://medienportal.univie.ac.at/uniview/forschung/detailansicht/artikel/zwischen-kunst-und-alltag/
Leder, H. (2011). Bilder als Kunst. Psychologische Ansätze. In K. Sachs-Hombach, & R. Totzke (Eds.), Bilder- Sehen - Denken. Zum Verhältnis von begrifflich-philosophischen und empirisch-psychologischen Ansätzen in der bildwissenschaftlichen Forschung (pp. 181-191). Unknown publisher.
Leder, H., Peschl, F.-M., & Baumkirchner, P. (2011). "Cognitive Science": Wie Gedanken in den Kopf kommen. Die Presse. http://cognitivescience.univie.ac.at/uploads/media/Wie_Gedanken_in_den_Kopf_kommen___DiePresse.pdf
Showing entries 161 - 180 out of 269