Symmetry as an Inter-Cultural Feature Constituting Beauty: Implicit and Explicit Beauty Evaluation of Visual Symmetry in Japan

Author(s)
Helmut Leder, Jan Mikuni, Hideaki Kawabata, Raphael Rosenberg
Abstract

Symmetry has been recognized as one of the most important visual features to predict aesthetic preferences and was discussed as a potentially universal feature of beauty judgments. Recent studies have challenged such universality claims, by showing that art experts prefer asymmetric stimuli in explicit evaluations, suggesting that artistic training might modify the preference for symmetry. In the present study, we examine whether cultural habituation might also influence beauty judgments in regard to symmetry in abstract visual patterns. Given the traditional preference for asymmetry in Japanese art and design, we tested if Japanese participants (N = 31) evaluate symmetric abstract visual patterns as more beautiful than asymmetric ones in explicit and implicit (IAT) tasks. We found that Japanese participants clearly evaluated symmetric stimuli as more beautiful than asymmetric ones. We conclude that cultural habituation with asymmetry—in contrast to artistic training—did not cause higher beauty ratings for asymmetry.

Organisation(s)
Department of Cognition, Emotion, and Methods in Psychology, Vienna Cognitive Science Hub, Department of Art History
External organisation(s)
Keio University
Journal
Empirical Studies of the Arts
Pages
1-17
No. of pages
17
ISSN
0276-2374
DOI
https://doi.org/10.1177/02762374231183377
Publication date
2023
Peer reviewed
Yes
Austrian Fields of Science 2012
501030 Cognitive science
Keywords
ASJC Scopus subject areas
Music, Visual Arts and Performing Arts, Literature and Literary Theory
Portal url
https://ucris.univie.ac.at/portal/en/publications/symmetry-as-an-intercultural-feature-constituting-beauty-implicit-and-explicit-beauty-evaluation-of-visual-symmetry-in-japan(69f78bbd-c23e-4cf7-b45d-9c110562ea28).html