Move me, astonish me… delight my eyes and brain: The Vienna Integrated Model of top-down and bottom-up processes in Art Perception (VIMAP) and corresponding affective, evaluative and neurophysiological correlates

Author(s)
Matthew Pelowski, Patrick Markey, Michael Forster, Gernot Gerger, Helmut Leder
Abstract

This paper has a rather audacious purpose: to present a comprehensive theory explaining, and further providing hypotheses for the empirical study of, the multiple ways by which people respond to art. Despite common agreement that interaction with art can be based on a compelling, and occasionally profound, psychological experience, the nature of these interactions is still under debate. We propose a model, The Vienna Integrated Model of Art Perception (VIMAP), with the goal of resolving the multifarious processes that can occur when we perceive and interact with visual art. Specifically, we focus on the need to integrate bottom-up, artwork-derived processes, which have formed the bulk of previous theoretical and empirical assessments, with top-down mechanisms which can describe how individuals adapt or change within their processing experience, and thus how individuals may come to particularly profound, moving, disturbing, transformative, as well as mundane, results. This is achieved by combining recent theoretical research into a new integrated approach built around three processing checks, which we argue can be used to systematically delineate the possible outcomes in art experience. We also connect our model's processing stages to specific hypotheses for emotional, evaluative, and physiological factors, and address main topics in psychological aesthetics including provocative reactions—chills, awe, thrills, sublime—and difference between “aesthetic” and “everyday” emotional response. Finally, we take the needed step of connecting stages to functional regions in the brain, as well as broader core networks that may coincide with the proposed cognitive checks, and which, it is our hope, taken together can serve as a basis for future empirical and theoretical art research.

Organisation(s)
Department of Cognition, Emotion, and Methods in Psychology
Journal
Physics of Life Reviews
Volume
21
Pages
80-125
ISSN
1571-0645
DOI
https://doi.org/10.1016/j.plrev.2017.02.003
Publication date
02-2017
Peer reviewed
Yes
Austrian Fields of Science 2012
501014 Neuropsychology, 501030 Cognitive science, 604004 Fine arts
Keywords
Portal url
https://ucris.univie.ac.at/portal/en/publications/move-me-astonish-me-delight-my-eyes-and-brain-the-vienna-integrated-model-of-topdown-and-bottomup-processes-in-art-perception-vimap-and-corresponding-affective-evaluative-and-neurophysiological-correlates(4451bf5a-3a41-459a-a3b5-056a16914fcd).html