Dipl.-Ing. Mag. Dr. Andreas Gartus, BA
Winter term 2024
200202 PR Forschungsorientiertes Praktikum
Summer term 2024
200100 SE Anwendungsseminar: Geist und Gehirn - Programming, Data Workflow and Data Visualization with R
Kühnapfel, C., Fingerhut, J., Brinkmann, H., Ganster, V., Tanaka, T., Specker, E., Mikuni, J., Güldenpfennig, F., Gartus, A., Rosenberg, R., & Pelowski, M. (2024). How Do We Move in Front of Art? How Does This Relate to Art Experience? Linking Movement, Eye Tracking, Emotion, and Evaluations in a Gallery-Like Setting. Empirical Studies of the Arts, 42(1), 86-146. https://doi.org/10.1177/02762374231160000
Gartus, A., & Leder, H. (2023). Exploring preference for symmetry using the method of production. European Conference on Visual Perception 2023, Paphos, Cyprus.
Gartus, A., & Leder, H. (2023). Exploring aesthetic and mixed emotions in a large data set of emotional videos. Visual Science of Art Conference (VSAC), Nikosia, Cyprus.
Baker, J., Efthimiou, T., Scherer, R., Gartus, A., Elsenaar, A., Mehu, M., & Korb, S. (2023). Measurement of the N170 during facial neuromuscular electrical stimulation (fNMES). Journal of Neuroscience Methods, 393, 1-11. [109877]. https://doi.org/10.1016/j.jneumeth.2023.109877
Lukács, G., & Gartus, A. (2023). Precise display time measurement in JavaScript for web-based experiments. Behavior Research Methods, 55(3), 1079-1093. https://doi.org/10.3758/s13428-022-01835-2
Kühnapfel, C., Fingerhut, J., Brinkmann, H., Ganster, V., Tanaka, T., Specker, E., Mikuni, J., Güldenpfennig, F., Gartus, A., Rosenberg, R., & Pelowski, M. (2022, Apr 29). How do we move in front of art? How does this relate to art experience? Linking movement, eye tracking, emotion, and evaluations in an ecologically-valid gallery setting. Empirical Studies of the Arts. https://doi.org/10.31234/osf.io/kx86d
Sladky, R., Hahn, A., Karl, I-L., Geissberger, N., Kranz, G. S., Tik, M., Kraus, C., Pfabigan, D., Gartus, A., Lanzenberger, R., Lamm, C., & Windischberger, C. (2021). Dynamic causal modeling of the prefrontal-amygdala network during processing of emotional faces. Brain Connectivity, 12(7), 670-682. https://doi.org/10.1089/brain.2021.0073
Gartus, A. (2021). Seeley, W. P. (2020). Attentional Engines. A Perceptual Theory of the Arts. Perception, 50(3).
Gartus, A., Völker, M., & Leder, H. (2020). What Experts Appreciate in Patterns: Art Expertise Modulates Preference for Asymmetric and Face-Like Patterns. Symmetry, 12(5), [707]. https://doi.org/10.3390/sym12050707
Korb, S., Massaccesi, C., Gartus, A., Lundström, J., Rumiati, R., Eisenegger, C., & Silani, G. (2020). Facial responses of adult humans during the anticipation and consumption of touch and food rewards. Cognition, 194, [104044]. https://doi.org/10.1016/j.cognition.2019.104044
Gartus, A., & Leder, H. (2019). Exploring Dimensions of Perceived Visual Complexity in Natural Textures. Perception, 48(2 suppl), 143-143. https://doi.org/10.1177/0301006619863862
Gartus, A., & Leder, H. (2019). Small Deviations from Symmetry in Abstract Patterns: Often Interesting, but Sometimes also Liked?. Visual Science of Art Conference 2019, Leuven, Belgium.
Pietschnig, J., Gittler, G., Stieger, S., Forster, M., Gadek, N., Gartus, A., Kocsis-Bogar, K., Kubicek, B., Lüftenegger, M., Olsen, J., Prem, R., Ruiz, N., Serfas, B. G., & Voracek, M. (2018). Indirect (implicit) and direct (explicit) self-esteem measures are virtually unrelated: A meta-analysis of the initial preference task. PLoS ONE, 13(9), [e0202873]. https://doi.org/10.1371/journal.pone.0202873
Gartus, A., Plasser, H., & Leder, H. (2018). Need for cognitive closure affects preferences for symmetry. XXV. Conference of the International Association of Empirical Aesthetics (IAEA), Toronto, Canada.
Gartus, A., Plasser, H., & Leder, H. (2018). Need for cognitive closure affects preferences for symmetry. THE VISUAL SCIENCE OF ART CONFERENCE 2018 (VSAC 2018), Triest, Italy.
Rütgen, M., Seidel, E-M., Pletti, C., Riečanský, I., Gartus, A., Eisenegger, C., & Lamm, C. (2018). Psychopharmacological modulation of event-related potentials suggests that first-hand pain and empathy for pain rely on similar opioidergic processes. Neuropsychologia, 116(A), 5-14. https://doi.org/10.1016/j.neuropsychologia.2017.04.023
Gartus, A., & Leder, H. (2017). Predicting perceived visual complexity of abstract patterns using computational measures: The influence of mirror symmetry on complexity perception. PLoS ONE, 12(11), [e0185276]. https://doi.org/10.1371/journal.pone.0185276
Gartus, A., Plasser, H., & Leder, H. (2017). Individual differences in aesthetic judgments of symmetry. 59. TeaP (Conference of Experimental Psychologists) Dresden (2017), Dresden, Germany.
Gartus, A., Plasser, H., & Leder, H. (2016). Individual differences in aesthetic judgments of symmetry. XIV. Conference of the International Association of Empirical Aesthetics (IAEA), Wien, Austria.
Güldenpfennig, F., Hödl, O., Reichl, P., Löw, C., Gartus, A., & Pelowski, M. (2016). TASK: Introducing The Interactive Audience Sensor Kit. 448-454. Paper presented at TEI '16: Tenth International Conference on Tangible, Embedded, and Embodied Interaction, EINDHOVEN, Netherlands. https://doi.org/10.1145/2839462.2856538
Preference for Symmetry: Time and Expertise make a Difference
Andreas Gartus (Speaker), Xiaochu Xu (Contributor), Mark Völker (Contributor) & Helmut Leder (Contributor)
1 Sep 2022
Activity: Talks and presentations › Talk or oral contribution › Science to Science
Preference for Symmetry: From Fechner to modern Empirical Aesthetics
Andreas Gartus (Speaker) & Helmut Leder (Contributor)
21 Mar 2022
Activity: Talks and presentations › Talk or oral contribution › Science to Science
Aesthetic Judgment of broken Symmetries in the visual and haptic Domain.
Andreas Gartus (Speaker)
25 Apr 2014
Activity: Talks and presentations › Talk or oral contribution › Other
Aesthetic judgment of broken symmetries
Andreas Gartus (Speaker)
26 Mar 2013
Activity: Talks and presentations › Talk or oral contribution › Other
Department of Cognition, Emotion, and Methods in Psychology
EDV-Beauftragter
Liebiggasse 5
1010 Wien
Room: O2.49
T: +43-1-4277-47118