Publications up to 2020
Showing entries 61 - 80 out of 282
Pelowski, M., Specker, E., Gerger, G., Leder, H., & Weingarden, L. S. (2020). Do You Feel Like I Do? A Study of Spontaneous and Deliberate Emotion Sharing and Understanding Between Artists and Perceivers of Installation Art. Psychology of Aesthetics, Creativity, and the Arts, 14(3), 276–293. https://doi.org/10.1037/aca0000201
Kaisler, R. E., Marin, M., & Leder, H. (2020). Effects of Emotional Expressions, Gaze, and Head Orientation on Person Perception in Social Situations. Sage Open, 10(3). https://doi.org/10.1177/2158244020940705
Specker, E., Forster, M., Brinkmann, H., Boddy, J., Immelmann, B., Goller, J., Pelowski, M., Rosenberg, R., & Leder, H. (2020). Warm, lively, rough? Assessing agreement on aesthetic effects of artworks. PLoS ONE, 15(5), Article e0232083. https://doi.org/10.1371/journal.pone.0232083
Gartus, A., Völker, M., & Leder, H. (2020). What Experts Appreciate in Patterns: Art Expertise Modulates Preference for Asymmetric and Face-Like Patterns. Symmetry, 12(5), Article 707. https://doi.org/10.3390/sym12050707
Immelmann, B., Boddy, J., Rosenberg, R., Leder, H., & Brinkmann, H. (2020). Kandinsky's Bauhaus Questionnaire: Color-Form Correspondences between Introspection and Experiment. Zeitschrift für Ästhetik und allgemeine Kunstwissenschaft, 64(2), 261–287.
Clay, V., Schrumpf, J., Tessenow, Y., Leder, H., Ansorge, U., & König, P. (2020). A quantitative analysis of the taxonomy of artistic styles. Journal of Eye Movement Research, 13(2), Article 5. https://doi.org/10.16910/jemr.13.2.5
Hur, Y.-J., Gerger, G., Leder, H., & McManus, C. (2020). Facing the Sublime: Physiological Correlates of the Relationship Between Fear and the Sublime. Psychology of Aesthetics, Creativity, and the Arts, 14(3), 253–263. https://doi.org/10.1037/aca0000204
Brieber, D., Forster, M., & Leder, H. (2020). On the Mutual Relation Between Art Experience and Viewing Time. Psychology of Aesthetics, Creativity, and the Arts, 14(2), 197–208. https://doi.org/10.1037/aca0000210
Reitstätter, L., Brinkmann, H., Santini, T., Specker, E., Dare, Z., Bakondi, F., Miscena, A., Kasneci, E., Leder, H., & Rosenberg, R. (2020). The display makes a difference: A mobile eye tracking study on the perception of art before and after a museum’s rearrangement. Journal of Eye Movement Research, 13(2), Article 6. https://doi.org/10.16910/jemr.13.2.6
Specker, E., Forster, M., Brinkmann, H., Boddy, J., Pelowski, M., Rosenberg, R., & Leder, H. (2020). The Vienna Art Interest and Art Knowledge Questionnaire (VAIAK): A Unified and Validated Measure of Art Interest and Art Knowledge. Psychology of Aesthetics, Creativity, and the Arts, 14(2), 172-185. https://doi.org/10.1037/aca0000205
Pelowski, M., Markey, P., Goller, J., Förster, E., & Leder, H. (2019). But, How Can We Make “Art?”: Artistic Production Versus Realistic Copying and Perceptual Advantages of Artists. Psychology of Aesthetics, Creativity, and the Arts, 13(4), 462–481. https://doi.org/10.1037/aca0000178
Lauring, J. O., Pelowski, M., Specker, E., Ishizu, T., Haugbol, S., Hollunder, B., Leder, H., Stender, J., & Kupers, R. (2019). Parkinson’s disease and changes in the appreciation of art: A comparison of aesthetic and formal evaluations of paintings between PD patients and healthy controls. Brain and Cognition, 136, Article 103597. https://doi.org/10.1016/j.bandc.2019.103597
Pelowski, M., Graser, A., Specker, E., Forster, M., von Hinüber, J., & Leder, H. (2019). Does Gallery Lighting Really have an Impact on Appreciation of Art? An ecologically-valid study of lighting changes and the assessment and emotional experience with representational and abstract paintings. Frontiers in Psychology, 10, Article 2148. https://doi.org/10.3389/fpsyg.2019.02148
Gartus, A., & Leder, H. (2019). Exploring Dimensions of Perceived Visual Complexity in Natural Textures. Perception, 48(2 suppl), 143-143. https://doi.org/10.1177/0301006619863862
Gartus, A., & Leder, H. (2019). Small Deviations from Symmetry in Abstract Patterns: Often Interesting, but Sometimes also Liked?. Visual Science of Art Conference 2019, Leuven, Belgium.
Markey, P., Jakesch, M., & Leder, H. (2019). Art looks different – Semantic and syntactic processing of paintings and associated neurophysiological brain responses. Brain and Cognition, 134(August 2019), 58-66. https://doi.org/10.1016/j.bandc.2019.05.008
Grüner, S., Specker, E., & Leder, H. (2019). Effects of Context and Genuineness in the Experience of Art. Empirical Studies of the Arts, 37(2), 138-152. https://doi.org/10.1177/0276237418822896
Goller, J., Mitrovic, A., & Leder, H. (2019). Effects of liking on visual attention in faces and paintings. Acta Psychologica, 197, 115-123. https://doi.org/10.1016/j.actpsy.2019.05.008
Lauring, J. O., Ishizu, T., Hollá Kutliková, H., Dörflinger, F., Haugbol, S., Leder, H., Kupers, R., & Pelowski, M. (2019). Why would Parkinson's disease lead to sudden changes in creativity, motivation, or style with visual art? A review of case evidence and new neurobiological, contextual, and genetic hypotheses. Neuroscience and Biobehavioral Reviews , 100, 129-165. https://doi.org/10.1016/j.neubiorev.2018.12.016
Belfi, A. M., Vessel, E. A., Brielmann, A., Isik, A. I., Chatterjee, A., Leder, H., Pelli, D. G., & Starr, G. G. (2019). Dynamics of aesthetic experience are reflected in the default-mode network. NeuroImage, 188, 584-597. https://doi.org/10.1016/j.neuroimage.2018.12.017
Showing entries 61 - 80 out of 282