Publications 2016

Showing entries 0 - 243 out of 243

Santini, T., Brinkmann, H., Reitstätter, L., Leder, H., Rosenberg, R., Rosenstiel, W., & Kasneci, E. (2018). The art of pervasive eye tracking: unconstrained eye tracking in the Austrian Gallery Belvedere. In PETMEI '18 Proceedings of the 7th Workshop on Pervasive Eye Tracking and Mobile Eye-Based Interaction Warsaw/Poland. DOI: 10.1145/3208031.3208032


Spee, B. T. M., Ishizu, T., Leder, H., Mikuni, J., Kawabata, H., & Pelowski, M. (2018). Neuropsychopharmacological aesthetics: A theoretical consideration of pharmacological approaches to causative brain study in aesthetics and art. In Progress in Brain Research: The Arts and The Brain Psychology and Physiology Beyond Pleasure (Vol. Volume 237, 2018, pp. 343-372). (Progress in Brain Research).


Mitrovic, A., Goller, J., Tinio, P., & Leder, H. (2017). How different presentation types affect facial attractiveness judgments. Poster session presented at Interscience - First interdisciplinary symposium of the Vienna Doctoral Schools, Austria.


Mitrovic, A., Goller, J., Tinio, P., & Leder, H. (2017). The influence of other people on facial attractiveness judgments. Poster session presented at 40th European Conference on Visual Perception (ECVP 2017), Berlin, Germany.


Gartus, A., & Leder, H. (2017). Predicting visual complexity of abstract patterns: Edges, corners, compression rate, and mirror symmetry. Poster session presented at 40th European Conference on Visual Perception (ECVP 2017), Berlin, Germany.


Gartus, A., Plasser, H., & Leder, H. (2017). Individual differences in aesthetic judgments of symmetry. Poster session presented at Visual Science of Art Conference (VSAC 2017), Berlin, Germany.


Leder, H. (2017). Wahrnehmung und Ästhetik bei Bühler. The Road not Taken? In J. Friedrich (Ed.), Karl Bühlers Krise der Psychologie: Veröffentlichungen des Instituts Wiener Kreis (Vol. 26, pp. 165-178). Springer International Cham.


Gartus, A., Plasser, H., & Leder, H. (2017). Individual differences in aesthetic judgments of symmetry. 59. TeaP (Conference of Experimental Psychologists) Dresden (2017), Dresden, Germany.


Pelowski, M., Leder, H., & Tinio, P. (2017). Creativity in the Visual Arts. In J. C. Kaufman, V. P. Glăveanu, & J. Baer (Eds.), The Cambridge Handbook of Creativity across Domains (pp. 80-109). Cambridge University Press. DOI: 10.1017/9781316274385.006


Weichselbaum, H., Leder, H., & Ansorge, U. (2017). Implicit and explicit visual symmetry preference in art experts compared to laypeople. Poster session presented at Visual Science of Art Conference (VSAC 2017), Berlin, Germany.


Specker, E., Rosenberg, R., Leder, H., Boddy, J., Brinkmann, H., Forster, M., & Pelowski, M. (2017). Introducing the VAIAK. A new and validated way to measure Art interest and Art Knowledge. Poster session presented at 3rd Art & Science Conference on empirical methods in art history and empirical studies, Wien, Austria.


Specker, E., Leder, H., Rosenberg, R., Hegelmaier, L., Brinkmann, H., Mikuni, J., & Kawabata, H. (2017). The Universal and Automatic Association between Brightness and Positivity. Poster session presented at 40th European Conference on Visual Perception (ECVP 2017), Berlin, Germany.


Belfi, A. M., Vessel, E. A., Pelli, D. G., Chatterjee, A., Leder, H., & Starr, G. (2017). Transient versus sustained neural responses to pleasure aesthetics experiences. In Cognitive Neuroscience Society 2017 Annual Meeting, 25.-28.3.2017, San Francisco, U.S.A.


Gartus, A., Plasser, H., & Leder, H. (2016). Individual differences in aesthetic judgments of symmetry. XIV. Conference of the International Association of Empirical Aesthetics (IAEA), Wien, Austria.


Weichselbaum, H., Ansorge, U., & Leder, H. (2016). Explicit and implicit liking of symmetry: Are art experts really special?. Poster session presented at XXIV. Conference of the International Association of Empirical Aesthetics (IAEA), Wien, Austria.


Faerber, S., Kaufmann, J. M., Leder, H., Martin, E. M., & Schweinberger, S. R. (2016). The Role of Familiarity for Representations in Norm-Based Face Space. PLOS ONE, 11(5), [e0155380]. DOI: 10.1371/journal.pone.0155380


Pearce, M. T., Zaidel, D. W., Vartanian, O., Skov, M., Leder, H., Chatterjee, A., & Nadal-Roberts, M. (2016). Neuroaesthetics: The Cognitive Neuroscience of Aesthetic Experience. Perspectives on Psychological Science, 11(2), 265-79. DOI: 10.1177/1745691615621274


Mitrovic, A., Tinio, P., & Leder, H. (2015). Effects of sex and sexual orientation on the visual exploration of facial attractiveness. Poster session presented at 18th European Conference on Eye Movements (ECEM), Vienna, Austria.


Leder, H., Gerger, G., & Brieber, D. (2015). Appreciation: Convergence from Experimental Aesthetics and Physiology. In J. P. Huston, M. Nadal, F. Mora, L. F. Agnati, & C. J. Cela-Conde (Eds.), Art, Aesthetics and the Brain Oxford University Press.


Leder, H., & Nadal-Roberts, M. (2015). Perception and Art. In E. S. Neukrug (Ed.), SAGE Encyclopedia of Theory in Psychology


Karaduz, M., Marin, M., & Leder, H. (2014). A comparison of the discrete and dimensional models of emotion in visual arts. Paper presented at 11. Tagung der Österreichischen Gesellschaft für Psychologie (ÖGP), Wien, Austria.


Leder, H. (2014). Beyond perception – information processing approaches to art appreciation. In P. L. Tinio , & J. K. Smith (Eds.), The Cambridge Handbook of the Psychology of Aesthetics and the Arts (pp. 115-138). Cambridge.


Rosenberg, R., & Leder, H. (2014). Blickbewegungsforschung. In S. Günzel, & D. Mersch (Eds.), Bild. Ein interdisziplinäres Handbuch (pp. 433-438). Stuttgart/Weimar: J.B. Metzler.


Marin, M., Lüdtke, S., & Leder, H. (2014). Crossmodal transfer between emotions induced by music and faces. Poster session presented at The Neurosciences and Music V: Cognitive Stimulation and Rehabilitation, Dijon (France), , Dijon, France.


Killy, K., Marin, M., Silani, G., & Leder, H. (2014). Emotion recognition of faces and music in Asperger Syndrome: A crossmodal priming study. Poster session presented at Seventh International Conference of Students of Systematic Musicology , London, United Kingdom.


Leder, H., & Tinio, P. (2014). Experimental Aesthetics. In J. O. Lauring (Ed.), An introduction to neuroaesthetics: The neuroscientific approach to aesthetic experience, artisitic creativity, art arts appreciation (pp. 51-71). Copenhagen: Museum Tusculum Press.


Gerger, G., Forster, M., & Leder, H. (2014). It felt fluent, but I did not like it: Fluency effects in faces. Poster session presented at 9th PPRU Workshop, Jena, Germany.


Gerger, G., & Leder, H. (2014). Mirror, mirror in the wall, who’s the fairest one of all? Influencing factors and effects of attractiveness. In P. L. Tinio, & J. K. Smith (Eds.), The Cambridge Handbook of the Psychology of Aesthetics and the Arts (pp. 421-446). Cambridge.


Marin, M., Daim, E., & Leder, H. (2014). Predicting subjective complexity by means of objective measures in aesthetic patterns of varying semantic content. Poster session presented at Visual Science of Art Conference, Belgrade, Serbia.


Gartus, A., Klemer, N. T., & Leder, H. (2014). The effects of context and individual art interests on perception and evaluation of visual art. Poster session presented at 37th European Conference on Visual Perception (ECVP 2014), Belgrad, Serbia.


Forster, M., Jakesch, M., Goller, J., & Leder, H. (2014). The pleasure of ambiguity. In Proceedings of the 23rd IAEA Congress on Empirical Aesthetics New York, USA.


Jakesch, M., & Leder, H. (2014). The weight of semantics! Complexity beyond the number of elements. In Proceedings of the 23rd IAEA Congress on Empirical Aesthetics New York, USA.


Leder, H. (2013). Psychologie der Bildwahrnehmung: Der eingefrorene Moment? In M. Greenlee, C. Wagner, & C. Wolff (Eds.), Aisthesis: Wahrnehmungsprozesse und Visualisierungsformen in Kunst und Technik (pp. 23-30). Schnell & Steiner.


Tinio, P. P. L., & Leder, H. (2013). The Means to Art's End: Styles, Creative Devices, and the Challenge of Art. In O. Vartanian, A. S. Bristol, & J. C. Kaufman (Eds.), Neuroscience of Creativity (pp. 273-298). Cambridge: MIT Press.


Klemer, N. T., Gartus, A., & Leder, H. (2013). Street art and modern art in matching and non-matching contexts. Poster session presented at 55th Conference of Experimental Psychologists, Wien, Austria.


Goller, J., Cursiter, H., Jenkins, R., & Leder, H. (2013). Within-person variability in facial attractiveness: Effects of presentation order. Poster session presented at 55th Conference of Experimental Psychologists, Wien, Austria.


Büttner, O., Florack, A., Leder, H., Paul, M. A., Serfas, B., & Schulz, A. M. (2013). Hard to ignore: How compulsive buyers react to distracting stimuli in shopping situations.. Poster session presented at Society for Consumer Psychology Annual Winter Conference, St. Antonio (TX), USA., United States.


Brinkmann, H., Commare, L., Leder, H., & Rosenberg, R. (2013). “Abstraction as World Language - Myth or Fact?”. Poster session presented at 39th Annual AAH Conference, Reading, United Kingdom.


Gartus, A., & Leder, H. (2013). Aesthetic evaluation of abstract symmetric patterns with broken symmetries. Poster session presented at 36th European Conference on Visual Perception (ECVP), Bremen, Germany.


Gartus, A., & Leder, H. (2013). Aesthetic evaluation of abstract symmetric patterns with broken symmetries. Poster session presented at 18th Meeting of the European Society for Cognitive Psychology (ESCOP 2013), Budapest, Hungary.


Forster, M., Gerger, G., & Leder, H. (2013). Fluency needs uncertainty. Poster session presented at 36th European Conference on Visual Perception (ECVP), Bremen, Germany.


Nadal-Roberts, M., Forster, M., Paul, M. A., & Leder, H. (2013). Looking at images with an aesthetic orientation: What’s special about it?. Poster session presented at 36th European Conference on Visual Perception (ECVP), Bremen, Germany.


Brieber, D., Nadal-Roberts, M., & Leder, H. (2013). Spending time on art! The effect of context on art appreciation and viewing time.. Poster session presented at 18th Meeting of the European Society for Cognitive Psychology (ESCOP 2013), Budapest, Hungary.


Büttner, O., Paul, M. A., Florack, A., & Leder, H. (2012). Compulsive Buyers Show an Attentional Bias in Shopping Situations.. Poster session presented at North American Conference of the Association of Consumer Research, Canada.


Paul, M. A., & Leder, H. (2012). Eine Eye-Tracking-Studie zur Untersuchung der optimalen Stimulusanzeigedauer beim Dot-Probe-Task. Poster session presented at 10. Tagung der Österreichischen Gesellschaft für Psychologie, Graz, Austria.


Gartus, A., & Leder, H. (2012). Evaluation of Graffiti/Art in different Contexts. Poster session presented at European Conference on Visual Perception, Alghero 2012, Alghero, Italy.


Forster, M., Leder, H., & Ansorge, U. (2012). Subjective feeling of fluency and affective response. Poster session presented at European Conference on Visual Perception, Alghero 2012, Alghero, Italy.


Leder, H., Gerger, G., & Brieber, D. (2012). This is disgusting! Can art experts really appreciate non-beautiful modern art? In 22nd Biennal congress of the International Association of Empirical Aesthetics (pp. 458-459). Taiwan: National Taiwan Normal University-Taipei.


Marin, M., & Leder, H. (2012). Zusammenhänge zwischen visueller Komplexität und Wohlgefallen bei der Wahrnehmung realer Umweltszenen und repräsentativer Kunst. Poster session presented at 10. Tagung der Österreichischen Gesellschaft für Psychologie, Graz, Austria.


Leder, H. (2011). Bilder als Kunst. Psychologische Ansätze. In . K. Sachs-Hombach, & . R. Totzke (Eds.), Bilder- Sehen - Denken. Zum Verhältnis von begrifflich-philosophischen und empirisch-psychologischen Ansätzen in der bildwissenschaftlichen Forschung (pp. 181-191). Unknown publisher.


Forster, M., & Leder, H. (2011). Does fluency really feel fluent? A preliminary research approach. Poster session presented at 4th Vienna Aesthetic Symposium, Vienna, Austria.


Forster, M., Leder, H., & Gerger, G. (2011). Perceiving faces with different kinds of glasses: Distinctiveness, beauty and intelligence. Poster session presented at 17th meeting of the European Society for Cognitive Psychology (ESCOP), Donostia - San Sebastián, Spain.


Gartus, A., & Leder, H. (2011). Predicting the Visual Complexity of line Drawings and Photos of common Objects. Poster session presented at European Conference on Visual Perception, Toulouse 2011, Toulouse, France.


Gartus, A., & Leder, H. (2010). Predicting visual complexity of color line drawings by training a neural network. Poster session presented at 16th Annual Meeting of the Organization for Human Brain Mapping, Barcelona, Spain.


Leder, H., & Ritterfeld, U. (2010). Umweltästhetik. In Enzyklopädie der Psychologie: Spezifische Umwelten und umweltbezogenes Handeln (Vol. Band 2, pp. 911-942). Unknown publisher.


Leder, H. (2009). Eine kurze Psychologie der Kunst - Vom Nutzen der Schönheit. In . M. Dresler (Ed.), Neuroästhetik. Kunst-Gehirn-Wissenschaft (pp. 52-57). Leipzig: Seemann.


Jakesch, M., Zachhuber, M., Carbon, C-C., & Leder, H. (2008). Developing a reference frame for testing cross-modality effects of vision and touch. Perception, 37(ECVP Abstract Supplement), 92-92.


Tinio, P., & Leder, H. (2008). Optimal interface between artworks and the information processing system. In . V. M. Petrov, & . A. V. Kharuto (Eds.), Information Theory and Art Studies (pp. 144-149). Moscow: KomKniga.


Augustin, D., Leder, H., Hutzler, F., & Carbon, C-C. (2008). Style follows content. On the microgenesis of art perception. Acta Psychologica, 128(1), 127-138.


Carbon, C-C., Leder, H., Strobach, T., Kovács, G., Harsanyi, G., & Langton, S. (2007). Adaptation effects of highly familiar faces: immediate and long lasting. Memory and Cognition, 35(8), 1966-1976.


Leder, H., & Belke, B. (2007). Art and Cognition. In . C. Martindale, . P. Locher, & . V. Petrov (Eds.), Evolutionary and Neurocognitive Approaches to Aesthetics, Creativity and the Arts (pp. 149-163). Baywood Press.


Leder, H. (2007). Kunst: Zufall als Methode? Eine psychologische Betrachtungsweise. In Der Zufall als Notwendigkeit. Wiener Vorlesungen (pp. 51-70). Wien: Picus Verlag.


Hekkert, P., & Leder, H. (2007). Product Aesthetics. In . P. Hekkert, & . R. Schifferstein (Eds.), Product Experience (pp. 259-286). Elsevier.


Augustin, D., Leder, H., & Carbon, C-C. (2007). The microgenesis of style and content in art perception. Perception, 36(Suppl. 1), 16-16.


Tinio, P., & Leder, H. (2007). Visual stimulus familiarity and generalisation effects: An experimental examintation of mediating factors.. Poster session presented at European Conference on Visual Perception, Arezzo 2007, Arezzo, Italy.


Hutzler, F., Braun, M., Vo, M., Engl, V., Hofmann, M., Dambacher, M., ... Jacobs, A. M. (2007). Welcome to the real world: Validating fixation-related brain potentials for ecologically valid settings. Brain Research, 1172, 124-129.


Carbon, C-C., & Leder, H. (2007). When style matters - Art specific adaption effects. In Abstracts Supplement of the 30th ECVP, Arezzo 27-31 August 2007 (pp. 17-17). (Perception). Pion Ltd..


Leder, H., & Augustin, D. (2007). When the Real van Gogh is Real! Cognitive Top-Down Effects in Art Appreciation. In . L. Dorfman, . C. Martindale, & . V. M. Petrov (Eds.), Aesthetics and innovation (pp. 67-82). Newcastle: Cambridge Scholars Publishing.


Maderthaner, R., & Leder, H. (2006). Allgemeine Psychologie. In . P. Deimann, & . U. Kastner-Koller (Eds.), Psychologie als Wissenschaft Facultas Verlags- und Buchhandels AG.


Leder, H., & Vitouch, O. (2006). Kunst- und Musikpsychologie. In Psychologie. Wissenschaft, Anwendung, Berufsfelder Unknown publisher.


Augustin, D., Carbon, C-C., & Leder, H. (2006). Liebe zum Detail: Zur Bedeutung von Funktionsbereichen für Produktdesign. Poster session presented at 45. Kongress der Deutschen Gesellschaft für Psychologie 2006, Nürnberg, Germany.


Carbon, C-C., Leder, H., Grüter, T., Weber, J. E., & Lueschow, A. (2006). Reduced configural processing abilities in congenital prosopagnosia..


Leder, H. (2005). Wahrnehmung der Horizontalen. Psychologische Betrachtungen. In A. Hapkemeyer (Ed.), The perception of the horizontal: Caspar David Friedrich ... Publikation zur Ausstellung: Museion, Museum für moderne und zeitgenössische Kunst Bozen, 17.9.2005-8.1.2006 Köln: König.


Leder, H. (2005). Zur Psychologie der Rezeption moderner Kunst. Eine psychologische Perspektive. In B. Graf (Ed.), Sichtweisen: zur veränderten Wahrnehmung von Objekten in Museen (pp. 79-91). (Berliner Schriften zur Museumskunde; Vol. 19). Wiesbaden: VS, Verl. für Sozialwiss.


Leder, H. (2004). A psychological model of aesthetic experience. In Proceedings of the XVIII Congress of the International Association of Empirical Aesthetics., Lissabon Unknown publisher.


Carbon, C-C., Schweinberger, S. R., Kaufmann, J. M., & Leder, H. (2004). Early face processing investigated by ERP. Perception, 33(S), 13-13.


Carbon, C-C., & Leder, H. (2004). Face recognition is not template-based.: Poster presentation, 27th European Conference on Visual Perception (ECVP), Budapest, 22.-26.08.2004.. Poster session presented at 27th European Conference on Visual Perception (ECVP 2004), Budapest, Hungary.


Schwarzer, G., & Leder, H. (2003). Development of face processing. Hogrefe Verlag GmbH und Co. KG.


Leder, H. (2003). Ein psychologischer Ansatz zur Ästhetik: Gefallen und Vertrautheit. In J. Küpper (Ed.), Dimensionen ästhetischer Erfahrung (pp. 284-307). (Suhrkamp-Taschenbuch Wissenschaft; Vol. 1640). Frankfurt am Main: Suhrkamp.


Leder, H. (2003). Ein psychologischer Ansatzt zur Ästehtik: Gefallen und Vertrautheit. In J. Küpper, & C. Menke (Eds.), Dimensionen ästhetischer Erfahrung (pp. 284-307). Frankfurt am Main : Suhrkamp.


Leder, H., & Bruce, V. (1998). Feature Processing from Upright and Inverted Faces. In H. Wechsler, P. J. Phillips, V. Bruce, F. F. Soulié, & T. S. Huang (Eds.), Face Recognition (Vol. NATO ASI Series (Series F: Computer and Systems Sciences), vol 163, pp. 547-555). Berlin, Heidelberg: Springer.


Showing entries 0 - 243 out of 243