Publications 2015
Gartus, A., Plasser, H., & Leder, H. (2018). Need for cognitive closure affects preferences for symmetry. XXV. Conference of the International Association of Empirical Aesthetics (IAEA), Toronto, Canada.
Gartus, A., Plasser, H., & Leder, H. (2018). Need for cognitive closure affects preferences for symmetry. THE VISUAL SCIENCE OF ART CONFERENCE 2018 (VSAC 2018), Triest, Italy.
Pelowski, M., Leder, H., Mitschke, V., Specker, E., Gerger, G., Tinio, P., ... Husslein-Arco, A. (2018). Capturing Aesthetic Experiences With Installation Art: An Empirical Assessment of Emotion, Evaluations, and Mobile Eye Tracking in Olafur Eliasson’s “Baroque, Baroque!”. Frontiers in Psychology, 9, [1255]. DOI: 10.3389/fpsyg.2018.01255
Pelowski, M., Markey, P., & Leder, H. (2018). Chills, aesthetic experience, and new versus old knowledge — What do chills actually portend? Comment on “Physics of mind: Experimental confirmations of theoretical predictions” by Schoeller et al. Physics of Life Reviews, 25, 83-87. DOI: 10.1016/j.plrev.2018.03.014
Pelowski, M., Ishizu, T., & Leder, H. (2018). Sadness and beauty in art—Do they really coincide in the brain? Comment on “An integrative review of the enjoyment of sadness associated with music” by Eerola et al. Physics of Life Reviews, 25, 124-127. DOI: 10.1016/j.plrev.2018.03.013
Leder, H., Tinio, P., Brieber, D., Kröner, T., Jacobsen, T., & Rosenberg, R. (2018). Symmetry is Not a Universal Law of Beauty. Empirical Studies of the Arts. DOI: 10.1177/0276237418777941
Santini, T., Brinkmann, H., Reitstätter, L., Leder, H., Rosenberg, R., Rosenstiel, W., & Kasneci, E. (2018). The art of pervasive eye tracking: unconstrained eye tracking in the Austrian Gallery Belvedere. In PETMEI '18 Proceedings of the 7th Workshop on Pervasive Eye Tracking and Mobile Eye-Based Interaction Warsaw/Poland. DOI: 10.1145/3208031.3208032
Pelowski, M., Markey, P., Goller, J., Förster, E., & Leder, H. (2018). But, How Can We Make “Art?”: Artistic Production Versus Realistic Copying and Perceptual Advantages of Artists. Psychology of Aesthetics, Creativity, and the Arts. DOI: 10.1037/aca0000178
Spee, B. T. M., Ishizu, T., Leder, H., Mikuni, J., Kawabata, H., & Pelowski, M. (2018). Neuropsychopharmacological aesthetics: A theoretical consideration of pharmacological approaches to causative brain study in aesthetics and art. In Progress in Brain Research: The Arts and The Brain Psychology and Physiology Beyond Pleasure (Vol. Volume 237, 2018, pp. 343-372). (Progress in Brain Research).
Gerger, G., Leder, H., & Pelowski, M. (2018). Empathy, Einfühlung, and aesthetic experience: the effect of emotion contagion on appreciation of representational and abstract art using fEMG and SCR. Cognitive Processing: International Quarterly of Cognitive Science, 19(2), 147–165. DOI: 10.1007/s10339-017-0800-2
Specker, E., Leder, H., Rosenberg, R., Hegelmaier, L., Brinkmann, H., Mikuni, J., & Kawabata, H. (2018). The universal and automatic association between brightness and positivity. Acta Psychologica, 186, 47-53. DOI: 10.1016/j.actpsy.2018.04.007
Marin, M., & Leder, H. (2018). Exploring aesthetic experiences of females: Affect-related traits predict complexity and arousal responses to music and affective pictures. Personality and Individual Differences, 125, 80-90. DOI: 10.1016/j.paid.2017.12.027
Cogoni, C., Carnaghi, A., Mitrovic, A., Leder, H., Fantoni, C., & Silani, G. (2018). Understanding the mechanisms behind the sexualized-body inversion hypothesis: The role of asymmetry and attention biases. PLoS ONE, 13(4), [e0193944]. DOI: 10.1371/journal.pone.0193944
Gartus, A., & Leder, H. (2018). A two-factor model of the visual complexity of abstract patterns. Poster session presented at 60th Conference of Experimental Psychologists (TeaP 2018), Marburg, Germany.
Weichselbaum, H., Leder, H., & Ansorge, U. (2018). Implicit and Explicit Evaluation of Visual Symmetry as a Function of Art Expertise. i-Perception, 9 (2). DOI: 10.1177/2041669518761464
Goller, J., Leder, H., Cursiter, H., & Jenkins, R. (2018). Anchoring effects in facial attractiveness. Perception, 2018, 1-11.
Brinkmann, H., Boddy, J., Immelmann, B., Specker, E., Pelowski, M., Leder, H., & Rosenberg, R. (2018). Ferocious Colors and Peaceful Lines. Describing and Measuring Aesthetic Effects. Manuscript submitted for publication.
Specker, E., & Leder, H. (2018). Looking on the Bright Side: Replicating the Association between Brightness and Positivity. Collabra: Psychology, 4(1), [34]. DOI: 10.1525/collabra.168
Brieber, D., Forster, M., & Leder, H. (Accepted/In press). On the Mutual Relation Between Art Experience and Viewing Time. Psychology of Aesthetics, Creativity, and the Arts.
Specker, E., Forster, M., Brinkmann, H., Boddy, J., Pelowski, M., Rosenberg, R., & Leder, H. (Accepted/In press). The Vienna Art Interest and Art Knowledge Questionnaire (VAIAK): A Unified and Validated Measure of Art Interest and Art Knowledge. Psychology of Aesthetics, Creativity, and the Arts. DOI: 10.1037/aca0000205