The experience of art in museums

Author(s)
David Brieber, Helmut Leder, Marcos Nadal-Roberts
Abstract

Research has shown that genuine artworks in the museum are appreciated more than reproductions in the laboratory. However, in previous studies, the effects of genuineness (authenticity or originality) and physical context varied together. Therefore, here we attempted to dissociate the impact of genuineness and physical context on the experience of art by using a 2×2 between-subjects design. Participants (N=110) were randomly assigned to one of four conditions: gallery/genuine, gallery/reproduction, laboratory/genuine, and laboratory/reproduction. They viewed contemporary conceptual artworks and reported their experience on Liking, Interest, Arousal, Valence, and Understanding rating scales. In contrast to our expectations, we found that neither physical context nor genuineness had an effect on participants' evaluations of the artworks. We discuss several possible reasons for these unexpected results. These relate to the nature of the materials and the fundamental role that meaningfulness and personal relevance play in the experience of art.

Organisation(s)
Department of Cognition, Emotion, and Methods in Psychology
Journal
Empirical Studies of the Arts
Volume
33
Pages
95-105
No. of pages
11
ISSN
0276-2374
DOI
https://doi.org/10.1177/0276237415570000
Publication date
01-2015
Peer reviewed
Yes
Austrian Fields of Science 2012
501001 General psychology, 501011 Cognitive psychology
Keywords
ASJC Scopus subject areas
Music, Visual Arts and Performing Arts, Literature and Literary Theory
Portal url
https://ucris.univie.ac.at/portal/en/publications/the-experience-of-art-in-museums(be142ab7-cba2-48b1-9345-18f243fbff6e).html